{"id":2485,"date":"2026-05-17T16:46:53","date_gmt":"2026-05-17T14:46:53","guid":{"rendered":"http:\/\/lyceealfrednobel.fr\/w\/?p=2485"},"modified":"2026-05-17T16:52:08","modified_gmt":"2026-05-17T14:52:08","slug":"stolpersteine-et-gerhard-richter-a-la-fondation-luis-vuitton-avec-les-terminales-germanistes","status":"publish","type":"post","link":"https:\/\/lyceealfrednobel.fr\/w\/2026\/05\/17\/stolpersteine-et-gerhard-richter-a-la-fondation-luis-vuitton-avec-les-terminales-germanistes\/","title":{"rendered":"Stolpersteine et Gerhard Richter \u00e0 la Fondation Luis Vuitton, avec les Terminales germanistes"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Stolpersteine et Gerhard Richter \u00e0 la Fondation Luis Vuitton<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">5 janvier 2026 avec les Terminales germanistes<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>La m\u00e9moire sous nos pieds &#8211; <\/strong><strong>Stolpersteine<\/strong> \u00ab&nbsp;<em>Un homme n\u2019est oubli\u00e9 que lorsque son nom est oubli\u00e9<\/em>&nbsp;\u00bb, <em>Talmud<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Premier jour de reprise apr\u00e8s les vacances de No\u00ebl : les \u00e9l\u00e8ves germanistes des classes de Terminale T1, T5, TGF, TGM et TGF-RH sont partis \u00e0 la d\u00e9couverte des <em><strong>Stolpersteine<\/strong><\/em>, r\u00e9cemment install\u00e9s dans les rues de Paris depuis novembre 2024, apr\u00e8s de longues ann\u00e9es de refus de la part de la Ville de Paris.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Au programme \u00e9galement&nbsp;: la visite d\u2019une grande r\u00e9trospective consacr\u00e9e au peintre allemand <em><strong>Gerhard Richter<\/strong><\/em><em><strong> \u00e0 la <\/strong><\/em><em><strong>Fondation Louis Vuitton<\/strong><\/em><em><strong>.<\/strong><\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ces th\u00e9matiques ayant \u00e9t\u00e9 \u00e9tudi\u00e9es en cours d\u2019allemand, cette sortie a offert aux \u00e9l\u00e8ves l\u2019opportunit\u00e9 de concr\u00e9tiser leurs connaissances en passant de la th\u00e9orie \u00e0 l\u2019exp\u00e9rience directe.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em><strong>Les <\/strong><\/em><em><strong>Stolpersteine<\/strong><\/em>&nbsp; sont une cr\u00e9ation de l&rsquo;artiste berlinois <em><strong>Gunter <\/strong><\/em><em><strong>Demnig<\/strong><\/em> qui a pos\u00e9 le 1<sup>er<\/sup>&nbsp;Stolperstein&nbsp;<em>(<\/em><em><strong>\u00ab&nbsp;pierres sur lesquelles on tr\u00e9buche&nbsp;\u00bb<\/strong><\/em><em>)<\/em> officiel en 1992 \u00e0 Cologne. Depuis, des pierres ont \u00e9t\u00e9 pos\u00e9es \u00e0 travers 25 pays d\u2019Europe (6500 \u00e0 Berlin &amp; plus de 50&nbsp;000 dans l\u2019ensemble des pays concern\u00e9s) et cet \u0153uvre est consid\u00e9r\u00e9e comme le m\u00e9morial d\u00e9centralis\u00e9 le plus grand d\u2019Europe.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Il s\u2019agit de pav\u00e9s ins\u00e9r\u00e9s dans le sol, surmont\u00e9s d\u2019une plaque en laiton rendant hommage \u00e0 une victime du nazisme, et scell\u00e9s dans le trottoir devant son dernier lieu de r\u00e9sidence.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00c0 Paris, nous avons constat\u00e9 que ces Stolpersteine sont plac\u00e9s au ras des fa\u00e7ades, parfois si discr\u00e8tes qu\u2019il faut les chercher vraiment attentivement pour les rep\u00e9rer.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En amont, les \u00e9l\u00e8ves s\u2019\u00e9taient familiaris\u00e9s avec les biographies de Hersz et Chaja&nbsp;Rajchgod, d\u2019Abraham Pfefer et de Daniel Rajchgod. La pr\u00e9sentation de leurs destins devant les pierres a suscit\u00e9 une vive \u00e9motion.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">S\u2019interroger sur le devoir de m\u00e9moire et sur la mani\u00e8re de le faire vivre \u00e0 travers l\u2019Art constitue&nbsp;\u00e9galement une pr\u00e9occupation du peintre Gerhard Richter et ceci depuis longue date.<\/p>\n\n\n\n<h1 class=\"wp-block-heading\">Consid\u00e9r\u00e9 comme l\u2019un des artistes contemporains les plus c\u00e9l\u00e8bres et les plus cot\u00e9s aujourd\u2019hui, Gerhard Richter explore, \u00e0 travers son \u0153uvre, la mani\u00e8re dont l\u2019art peut interroger la m\u00e9moire, tout en mettant en lumi\u00e8re les limites de la peinture face \u00e0 la photographie. En s\u2019emparant de sujets ancr\u00e9s dans l\u2019actualit\u00e9, il a su, par ses cr\u00e9ations, provoquer de nombreux d\u00e9bats au sein de la soci\u00e9t\u00e9 allemande.<\/h1>\n\n\n\n<h1 class=\"wp-block-heading\">Quelle chance alors, que la Fondation Louis Vuitton proposait une grande r\u00e9trospective de son \u0153uvre.<\/h1>\n\n\n\n<p class=\"wp-block-paragraph\">Gr\u00e2ce \u00e0 un guide remarquable, les \u00e9l\u00e8ves ont pu red\u00e9couvrir des \u0153uvres \u00e9tudi\u00e9es en classe, dont la cr\u00e9ation la plus r\u00e9cente du peintre Gerhard Richter : le <em>Birkenau-<\/em><em>Zyklus<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ces quatre toiles constituent une confrontation directe avec des photographies prises \u00e0 Auschwitz II-Birkenau durant l\u2019\u00e9t\u00e9 1944. Le <em>Birkenau-<\/em><em>Zyklus<\/em> est expos\u00e9 sur le site d\u2019Auschwitz, et une reproduction est install\u00e9e \u00e0 l\u2019entr\u00e9e du Bundestag, \u00e0 proximit\u00e9 de l\u2019\u0153uvre <em>Schwarz, Rot, Gold<\/em>, en r\u00e9f\u00e9rence aux couleurs du drapeau allemand.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tous les visiteurs, y compris les responsables politiques, passent devant cette installation lorsqu\u2019ils acc\u00e8dent \u00e0 ce lieu central de la d\u00e9mocratie allemande. Ce choix t\u00e9moigne de la volont\u00e9 de l\u2019Allemagne de rappeler que le pass\u00e9 du national-socialisme demeure une pr\u00e9occupation essentielle. Il s\u2019agit ainsi d\u2019affirmer l\u2019importance durable de la culture de la m\u00e9moire, \u00e0 mesure que les t\u00e9moins directs de cette p\u00e9riode disparaissent peu \u00e0 peu.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Les \u00e9l\u00e8ves se sont montr\u00e9s tr\u00e8s attentifs et enthousiastes, ravi.es de d\u00e9couvrir les \u0153uvres \u00e9tudi\u00e9es en classe. Elles et ils ont pos\u00e9 de nombreuses questions au guide de la Fondation Louis Vuitton, qui a su s\u2019adapter \u00e0 leur niveau en rendant accessibles, avec des mots simples, des notions parfois complexes et peu famili\u00e8res \u00e0 un public non sp\u00e9cialiste de l\u2019histoire de l\u2019art.<\/p>\n\n\n\n<h1 class=\"wp-block-heading\"><strong>Le pari \u00e9tait ambitieux, et il a \u00e9t\u00e9 pleinement relev\u00e9.<\/strong><\/h1>\n\n\n\n<h1 class=\"wp-block-heading\">Pour conclure la visite, notre guide a \u00e9galement accept\u00e9 de compl\u00e9ter la d\u00e9couverte par quelques explications sur le b\u00e2timent de la Fondation Louis Vuitton, imagin\u00e9 par Frank Gehry et ouvert au public en 2014. Cet \u00e9dificeest un b\u00e2timent unique, embl\u00e9matique et audacieux.Il nous a montr\u00e9 des endroits particuli\u00e8rement int\u00e9ressants dans les \u00e9tages et au sous-sol. Malheureusement nous ne pouvions pas acc\u00e9der aux terrasses. &nbsp;La neige commen\u00e7ait \u00e0 tomber nous for\u00e7ant de presser le pas pour rentrer \u00e0 Clichy-sous-Bois.<\/h1>\n\n\n\n<p class=\"wp-block-paragraph\">R E M E R C I E M E NTS<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Un immense, gigantesque merci \u00e0 Mme Baray et \u00e0 ce groupe d\u2019\u00e9l\u00e8ves absolument formidables ! Nous avons brav\u00e9 un Paris d\u00e9sert par \u20134 degr\u00e9s, march\u00e9 avec les pieds frigorifi\u00e9s et les mains gel\u00e9es, avant de finir l\u2019aventure\u2026 bloqu\u00e9s \u00e0 Bondy, sans bus, sans tram, sans RER. Et pourtant, pas une plainte, pas un soupir : que des sourires ! De vrais warriors, toujours de bonne humeur et d\u2019une patience exemplaire.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Un \u00e9norme merci \u00e9galement aux papas h\u00e9ro\u00efques qui ont rapatri\u00e9 bien apr\u00e8s la tomb\u00e9e de la nuit une partie des troupes malgr\u00e9 la temp\u00eate de neige.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Stolpersteine et Gerhard Richter \u00e0 la Fondation Luis Vuitton 5 janvier 2026 avec les Terminales germanistes La m\u00e9moire sous nos [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":2486,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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